Tuesday, July 17, 2012

Paper Art by Simon Schubert

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Simon Schubert is an extremely talented Danish artish, who creates works by folding an unfolding paper. We’re not talking about Origami: There’s a hip new style of paper art out there. We found 20 of Schubert’s best paper-creasing works to impress anyone who has tried to straighten out a dollar bill for a vending machine:
Untitled(hallways with mirrors),2010,90x 70 cm ex
Portrait Samuel Beckett1,100x75,2009 excel

Book Art by Guy Laramee

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Artwork by GUY LARAMEE


Hailing from Quebec, fellow Canadian Guy Laramee is a man with many talents. Not only is he a very accomplished painter and sculptor, but Guy is also a highly regarded musician, composer and stage director.
With more than 30 years of practice, Guy’s work has been seen and heard in galleries and theaters around the world. And when he’s not involved in his artistic pursuits, he finds time to pursue an investigation in the field of anthropology.
Below you will find a collection of his incredible book carving work from his series’ titled The Great Wall and Biblios. In these series, Guy carves magnificent landscapes into relevant volumes of work, some pieces using well over ten books. Enjoy!
 

Artwork by GUY LARAMEE


Artwork by GUY LARAMEE


Artwork by GUY LARAMEE


Artwork by GUY LARAMEE


Artwork by GUY LARAMEE


Artwork by GUY LARAMEE


Artwork by GUY LARAMEE


Artwork by GUY LARAMEE


Carved Book Landscapes by Guy Laramee – Artist Statement


The erosion of cultures – and of “culture” as a whole – is the theme that runs through the last 25 years of my artistic practice. Cultures arise, become obsolete, and are replaced by new ones. With the vanishing of cultures, some people are displaced and destroyed. We are currently told that the paper book is bound to die. The library, as a place, is finished. One might say: so what? Do we really believe that “new technologies” will change anything concerning our existential dilemma, our human condition? And even if we could change the content of all the books on earth, would this change anything in relation to the domination of analytical knowledge over intuitive knowledge? What is it in ourselves that insists on grabbing, on casting the flow of experience into concepts?
When I was younger, I was very upset with the ideologies of progress. I wanted to destroy them by showing that we are still primitives. I had the profound intuition that as a species, we had not evolved that much. Now I see that our belief in progress stems from our fascination with the content of consciousness. Despite appearances, our current obsession for changing the forms in which we access culture is but a manifestation of this fascination.
My work, in 3D as well as in painting, originates from the very idea that ultimate knowledge could very well be an erosion instead of an accumulation. The title of one of my pieces is “ All Ideas Look Alike”. Contemporary art seems to have forgotten that there is an exterior to the intellect. I want to examine thinking, not only “What” we think, but “That” we think.
So I carve landscapes out of books and I paint Romantic landscapes. Mountains of disused knowledge return to what they really are: mountains. They erode a bit more and they become hills. Then they flatten and become fields where apparently nothing is happening. Piles of obsolete encyclopedias return to that which does not need to say anything, that which simply IS. Fogs and clouds erase everything we know, everything we think we are.
After 30 years of practice, the only thing I still wish my art to do is this: To project us into this thick Cloud of Unknowing. [Source]


Artwork by GUY LARAMEE


Artwork by GUY LARAMEE


Artwork by GUY LARAMEE


Artwork by GUY LARAMEE


Artwork by GUY LARAMEE


Artwork by GUY LARAMEE


Artwork by GUY LARAMEE


Artwork by GUY LARAMEE

Book Art by Brian Dettmer

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Artwork by BRIAN DETTMER


Born in Chicago but currently living and working out of Atlanta, Georgia, contemporary artist Brian Dettmer creates incredible works of art with old books and tremendous patience. Using knives, tweezers and surgical tools, Brian meticulously exposes various layers to create his mind-blowing artwork. Dettmer has received critical acclaim around the world and his work can be found in countless galleries and publications. Below you will find a small sample of his art along with an artist bio and statement from Dettmer. Be sure to visit Brian’s official site: briandettmer.com for more information and photographs of his fantastic art.
 

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Artwork by BRIAN DETTMER


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Artwork by BRIAN DETTMER


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Artwork by BRIAN DETTMER


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Artwork by BRIAN DETTMER


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Artwork by BRIAN DETTMER


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Artwork by BRIAN DETTMER


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Artwork by BRIAN DETTMER


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Artwork by BRIAN DETTMER


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Artwork by BRIAN DETTMER


BOOK ART BY BRIAN DETTMER – ARTIST’S STATEMENT


The age of information in physical form is waning. As intangible routes thrive with quicker fluidity, material and history are being lost, slipping and eroding into the ether. Newer media swiftly flips forms, unrestricted by the weight of material and the responsibility of history. In the tangible world we are left with a frozen material but in the intangible world we may be left with nothing. History is lost as formats change from physical stability to digital distress.
The richness and depth of the book is universally respected yet often undiscovered as the monopoly of the form and relevance of the information fades over time. The book’s intended function has decreased and the form remains linear in a non-linear world. By altering physical forms of information and shifting preconceived functions, new and unexpected roles emerge. This is the area I currently operate in. Through meticulous excavation or concise alteration I edit or dissect communicative objects or systems such as books, maps, tapes and other media. The medium’s role transforms. Its content is recontextualized and new meanings or interpretations emerge.
Explanation of Process
In this work I begin with an existing book and seal its edges, creating an enclosed vessel full of unearthed potential. I cut into the surface of the book and dissect through it from the front. I work with knives, tweezers and surgical tools to carve one page at a time, exposing each layer while cutting around ideas and images of interest. Nothing inside the books is relocated or implanted, only removed. Images and ideas are revealed to expose alternate histories and memories. My work is a collaboration with the existing material and its past creators and the completed pieces expose new relationships of the book’s internal elements exactly where they have been since their original conception.
[SOURCE]
 

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Artwork by BRIAN DETTMER


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Artwork by BRIAN DETTMER


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Artwork by BRIAN DETTMER


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Artwork by BRIAN DETTMER


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Artwork by BRIAN DETTMER


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Artwork by BRIAN DETTMER


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Artwork by BRIAN DETTMER


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Artwork by BRIAN DETTMER


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Artwork by BRIAN DETTMER


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Artwork by BRIAN DETTMER


BRIAN DETTMER – ARTIST’S BIO


Dettmer is originally from Chicago, where he studied at Columbia College. He currently lives and works in Atlanta, GA.
Dettmer’s work has been exhibited and collected throughout the United States, Mexico and Europe. He has had solo shows in New York, Chicago, San Francisco, Miami, Atlanta and Barcelona and has had projects exhibited in Mexico City, Berlin and London. He has been represented at several international art fairs including Pulse (Miami), MACO (Mexico City), ARCO (Madrid), Scope (London, Miami), Art Chicago (Chicago) and many others.
He is currently represented by Kinz + Tillou Fine Art in New York, Packer Schopf in Chicago, MiTO Gallery in Barcelona, Toomey Tourell in San Francisco and Saltworks in Atlanta. Dettmer’s work has been exhibited Internationally in several museums, universities and art centers including the Museum of Art and Design (NY), Museum of Contemporary Art (GA), the International Museum of Surgical Science (IL), Museum Rijswijh (Netherlands), Wellcome Collection (England) the Bellevue Arts Museum (WA), The Kohler Arts Center (WI), and the Illinois State Museum (IL). His work can be found in several private and public collections throughout the U.S, Latin America, Europe and Asia.
Dettmer’s work has gained International acclaim through internet bloggers, and traditional media. His bibliography includes The New York Times, The Guardian, Chicago Tribune, AJC, Modern Painters, Wired, The Village Voice, Harper’s, Time Out, The San Francisco Chronicle, and National Public Radio among several others.
[SOURCE]
 

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Artwork by BRIAN DETTMER


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Artwork by BRIAN DETTMER


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Artwork by BRIAN DETTMER


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Artwork by BRIAN DETTMER


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Artwork by BRIAN DETTMER


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Artwork by BRIAN DETTMER


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Artwork by BRIAN DETTMER


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Artwork by BRIAN DETTMER


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Artwork by BRIAN DETTMER


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Artwork by BRIAN DETTMER


Sources

BRIAN DETTMER OFFICIAL SITE: http://briandettmer.com/
BRIAN DETTMER ON FLICKR: http://www.flickr.com/photos/briandettmer/

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